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Without explicitly labeling herself an activist, her presence alone normalizes curves within a space that often worships angularity. She demonstrates that latex corsets, body harnesses, and high-slit skirts are not reserved for a single body type. By simply existing and thriving in her niche, Makowska has sent a powerful message: darkness has no dress size.
As Naomi Makowska continues to make waves in the fashion industry, what's next for this rising star? According to sources close to the model, she is set to appear in several high-profile campaigns and runway shows in the coming months.
Beyond the academy, Makowska’s research has potential appeal for , and educators seeking to present the Inquisition’s history in accessible yet scholarly rigorous ways. Her engagement with material culture, in particular, lends itself to exhibition design and digital humanities projects that bring early modern objects and manuscripts into virtual spaces.
is a prominent Canadian historian of early modern Italy whose academic research fundamentally reshapes our understanding of gender, religion, and knowledge production. Her scholarly focus centers on how marginalized and non-elite women navigated systems of power, subverted religious authorities, and established clandestine networks to exchange illicit practices like magic and sorcery. Academic Background and Credentials
Dr. Makowska’s specialized archival research has garnered competitive funding and high-level recognition from major Canadian academic agencies. Her research endeavors have been financially backed by: naomi makowska
Society for the Study of Early Modern Women and Gender (SSEMWG) Academic Background : She is a PhD candidate specializing in Early Modern English Literature and Digital Humanities
Exploring how sex workers, magical practitioners, and women of diverse religious backgrounds (Christian and Jewish) acted as "gatekeepers" of forbidden information.
Rather than viewing these women merely as victims of an oppressive system, Dr. Makowska's work uncovers a vibrant, covert "magical landscape". Her analysis reveals that women actively built underground networks to produce and exchange illicit information.
Naomi Makowska’s most useful legacy is ethical. She forces designers to ask not "Can we make this faster?" but "Does this speed respect the user’s need to deliberate?" In an age of dark patterns and infinite scroll, Makowska champions the "slow interface"—tools that prioritize reflective choice over reflexive reaction. Her work serves as a necessary counterweight to the efficiency cult of tech, reminding us that the goal of a digital tool is not to erase the user’s labor, but to make that labor feel worth performing. For students of media, psychology, and design, to read Makowska is to understand that every interface is a mirror—and we must insist that it shows us not just our data, but our story. As Naomi Makowska continues to make waves in
Her PhD research, titled "Ordinary or Transgressive Women? The Home, the City and the Inquisition in Early Modern Modena," examines the lives of women in Modena, Italy, and their interactions with religious and civic oversight.
Designed and led an upper-year undergraduate course detailing the history of early modern Italian women during her doctoral tenure. 🔍 Core Research & Focus
from Modena. Her research unearths the hidden lives of women who weren't just passive subjects of history, but active participants in the supernatural underground. The Story of Forbidden Knowledge
"It’s not just about making something that looks good today," Makowska has noted in various creative circles. "It’s about making something that feels relevant ten years from now." Influence on the Next Generation Her engagement with material culture, in particular, lends
Makowska is currently developing a multi-channel installation titled The Archive of Almost , which collects discarded photographs from flea markets across Eastern Europe and projects them at 1/10th speed onto wet plaster walls. The plaster absorbs the light, making each image dissolve over several hours. The piece will debut at the Venice Biennale in 2026.
In the rapidly evolving landscape of contemporary art and digital media, few names resonate with as much quiet authority as . As a multidisciplinary creator, Makowska has carved out a unique niche that bridges the gap between traditional aesthetic sensibilities and the cutting-edge possibilities of the digital age.
Naomi Makowska is an upper-year PhD candidate at Queen's University's Department of History, where she is writing her dissertation under the joint supervision of Professors Nancy E. van Deusen and Federica Francesconi (University at Albany, State University of New York). Her doctoral research focuses on the lives of early modern Italian women and their interactions with the Inquisition between the sixteenth and seventeenth centuries.
