Humble Pie Discography 19692 Better -
This debut blended acoustic folk-rock with heavy blues. It famously prompted Rolling Stone to use the term "heavy metal" in a review, though the album is more of a psychedelic-blues hybrid.
Following , the band underwent several lineup changes, which led to a shift in their sound. 'Corky's DIRT' (1973) and 'Bacon Pie' (no official release) were two notable projects during this period. Although not as commercially successful, these albums showcased Humble Pie's willingness to experiment and push the boundaries of their sound.
As the band moved into the 70s, they ditched the "country" vibes for high-volume rock and roll. humble pie discography 19692 better
In 1969, they locked themselves in the studio to craft their debut. The result was As Safe As Yesterday Is .
: The album went gold in the United States and catapulted the band to arena-status. Ironically, it also marked the end of the original lineup, as Frampton left shortly before its release to pursue a solo career. Smokin' (March 1972) This debut blended acoustic folk-rock with heavy blues
Town and Country was released only in the UK. The album’s potential was sabotaged when their record label, Immediate Records, suddenly collapsed shortly after its release, forcing the album out of stores just after it went on sale. Despite this commercial setback, it is now recognized as a critically acclaimed "rarity" that demonstrates the band's depth beyond pure rock power.
When rock fans talk about the definitive "supergroups" of the late '60s, Humble Pie is often the loudest name in the room. Formed in 1969 by (Small Faces) and Peter Frampton (The Herd), the band spent the next six years evolving from eclectic folk-rockers into a thunderous blues-rock machine that conquered American arenas. 'Corky's DIRT' (1973) and 'Bacon Pie' (no official
Humble Pie exploded onto the music scene in 1969 with not just one, but two studio albums in a single year, each showcasing a different facet of the band’s multifaceted personality.
Formed in January 1969 as one of rock’s very first true "supergroups," the band paired the ferocious, soul-shouting mod icon Steve Marriott of the Small Faces with the melodic, golden-boy guitarist Peter Frampton from The Herd. Backed by the thunderous rhythm section of bassist Greg Ridley (ex-Spooky Tooth) and a teenage Jerry Shirley on drums, the band burst onto the UK scene via Andrew Loog Oldham’s independent Immediate Records.
